I actually finished the whole year of the FMQ Challenge from SewCalGal!
Well, I took "the pledge", so it had to be done - and here it is, last minute-ish, but done! Yeah! Hooray!
January - Heart Shaped Leaves tutorial by Frances Moore
Thanks to her fine tutorial plus a little supplemental info from Leah Day at the Free Motion Quilting Project, I learned how to comfortably fill in a space with a wandering fill. A fun way to start the year.
February - Echo Feathers tutorial by Diane Gaudynski
Great tutorial, but way beyond my abilities back in February - though I learned a ton, all the same (sometimes it's fun to dive into the deep end!).
March - Loopy Loops and Stars tutorial by Anne Fahl
Great fun, and much more comfortable for a beginner - it let me play and be a little wild! And then I got to learn about how using a new kind of thread can mess you up - and, thanks to Leah Day again, got to learn how to track down those messy tension problems and fix them!
April - Stencil Patterns tutorial by Don Linn (Mr. Quilt)
Learned a really clever way to transfer printed patterns onto fabric, and learned a lot about how tricky it is to actually follow a marked line/curve/pattern with stitches!
May - Foundational Designs tutorial by Leah Day
A whole new way of thinking about fill patterns - starting with a large flowing line and crossing it/covering it with another pattern - fun! But more than that, I learned that it's OK to stop and take a breath and think every now and then (still working on that one)!
June - Divide and Conquer Space tutorial by Cindy Needham
Amazing way of looking at a blank area of fabric and changing it into a complex stitched design with texture and movement and pattern. Plus a great collection of new patterns to use! And the hum-purr of the sewing machine!
July - Stacked Tiles tutorial by Angela Walters
Another great way to divide and conquer a large blank area! And though it's a great way to try out a bunch of patterns, it also looks great with only one pattern in each "tile".
August - Jester's Hats tutorial by Wendy Sheppard
A fun little fill pattern that turned out to be a bit of a mind bending little trickster - but oh so satisfying when you finally get the flow of it!
September - Feathered Wreath Stencil tutorial by Paula Reid
Sweet stencil, and good to have another try at the whole stitching on a line thing. Plus she gave us some great bonus info on how to manage a big quilt on a small machine - that's coming up soon for me!
October - OK, so I actually missed the October lesson, for many reasons, and while I intend to get back to the Teri Lucas tutorial (it looks fun and I love the nautilus shell and the idea of stitching text), I chose to do one of the bonus tutorials as a make-up lesson to try something entirely new and different.
October Bonus Tutorial - Machine Trapunto tutorial by Diane Loomis
Trapunto has intrigued me, and this was a great way to try it out. And to try out that silk thread, too!
November - Spirals tutorial by Sarah Vedeler
A really nice structured approach to learning a new pattern. And those pesky in-and-out again, labyrinth patterns have always flummoxed me - so this was great practice!
December - Complex Borders tutorial by Patsy Thompson
What a sweet and fun way to end the year! I loved trying all the border designs and learning some new feather borders too!
So there you have it - 12 months of fun tutorials from fabulous teachers.
And I haven't even mentioned all the extra little hints the teachers gave us on threads, needles, handy gadgets, sketchbook practicing, FMQ feet, tension adjustments, fabric handling, keeping in sync with your machine, and more and more.
And I haven't done all there is to do! Obviously, I've still got the October lesson to return to, and there are still 3 more bonus tutorials that I want to complete, and each lesson had a few extras I never had time for that I still want to try out (Patsy Thompson's "hyperquilting" is at the top of the list), and each lesson had bits that need more practice still, and then I have to start applying this to actual quilts! And all these teachers have books and videos and classes and websites and blogs! And on and on!
Thanks so much to SewCalGal and all the generous quilter/teachers that started me on this path! It's been a great year and I look forward to continuing on in the New Year to come!
Thanks to wonder of the Tardis, I have gone back to October (briefly) to make up the lesson I missed when I was sick. Instead of diving into the regular monthly tutorial, I decided to go for something completely different and try the very fun Trapunto bonus tutorial presented by Diane Loomis (thanks Diane!).
A very well structured tutorial to introduce a cute but tricky little technique.
To start, I transferred the pattern to my fabric - lacking any tulle, I used the old default method of taping up on a window to trace.
After drawing in all my main lines, I pinned a small piece of medium thick 80/20 cotton/poly batting to the areas that would have that trapunto puffiness. Then stitched only the outer outline with water soluble thread in top and bobbin (Don't wet your finger to thread the needle. Just sayin')
Then very carefully trimmed away the batting close to the stitches (looking at the back of the top fabric piece here).
Then assembled the quilt sandwich with Quilter's Dream Cotton batting and stitched it all up using Kimono Silk Thread color 302 "Origami" and a 70/10 topstitch needle.
Added some echo stitching around the trapunto areas, to make them pop (hopefully). I'm still pretty sloppy with that echo stitching - I've got lots of light where I work, but I can't really see exactly where I am stitching (especially with a matching thread color). Maybe I need to invest in a new free-motion foot with better visibility (or maybe it's time to get a new machine! yeah!)
After a cool soak to remove the blue markings, I could still feel some scratchiness where the water soluble thread had been, so I gave it a warm water soak and now it's all soft and nice.
Here's an angled view to show how puffy the trapunto really is.
And here's the back - no puffiness here (but you can really see where my stitches got a little out of control).
Luckily, none of that really shows on the front!
Woohoo! I've finished the December FMQ challenge!
And what a great final project for us!
This month, SewCalGal brought us Patsy Thompson with a fabulous tutorial on using multiple border designs to create a more complex, textured "frame" for your quilting. We also got two really sweet new feather border ideas to try out!
(here's a peek at some of my notes from the video part of the lesson)
As usual, we started out by drawing what we intended to stitch - both to work out our design ideas and see how they might look, and as pattern practice to get the feel for how the different stitches move. I actually did several different corner designs before I found ones that worked for me. And some of these patterns are definitely easier to draw than to stitch!
Then I marked my fabric and created fake pieced borders with lines of stitching to imply a seam line with "stitch in the ditch" (used Gutermann 50 wt cotton top and bobbin). Then, after marking corner blocks and diagonals, and a few extra dots to help space the repeating patterns, I started stitching.
This lesson was lots of fun, and a great test of how far I've come (and where I still need to practice, practice, practice!). I highly recommend Patsy Thompson's videos - her instruction is clear and the lessons are well organized and follow a logical sequence that helps the viewer learn the new techniques. She also has some very fun and creative ideas!
Border designs used Superior's King Tut - 40/3 cotton, and Sulky's Blendables 30 wt cotton.
Specific threads and colors, from inner to outer borders:
1. Sulky #4041 Fiesta
2. King Tut # 955 Sunflowers
3. Sulky #4108 American Antique
4. King Tut #911 Flower Pot
5. Sulky #4019 Forest Floor
6. Sulky # 4006 Autumn
7. Sulky # 4002 Buttercream (the center motif is this color as well).
OK, so all these colors were just what I had on hand from previous projects or impulse purchases - I'm just glad they all look kind of like they belong together, mostly!
Used a 90/14 topstitch needle, quilting cotton fabric, 80/20 cotton/poly batting.
Bobbin thread for the whole thing is Superior's "Bottom Line" - 60wt polyester in color #650 "Champagne". I wasn't sure how this would work, but I had no tension issues at all really. Now the question is how well will the cotton top threads last with the poly bottom thread - will this be a friction/abrasion issue?
So, almost done now, just have to do a make-up for the missed October lesson and I will have completed the year's challenge!
OK, so you may have noticed that it's not quite November anymore, and October kind of slipped past without a word, and there are reasons, but let's not get into all that. I took the pledge, and so I will get caught up (Oct. and Dec. lessons) and finish the challenge entirely before the end of the month!
This last month SewCalGal brought us Sarah Vedeler with a really nice structured lesson on how to spiral in and get back out again. I really appreciated her clear and organized instruction - starting with drawing the spirals in a row, in a grid.
And then marking the grid on a quilt sandwich and stitching/practicing. At the top I did rows of the spirals in both directions, and then rows of the reversing spirals, and ended with a row in which the exit line is right on top of the spiral in (a new look)
And here's what it looks like after the washable pen is washed off (OK, it's upside down) (and the back of the sample is at the top of this post).
Top thread is Superior's Rainbows, a 40 wt. trilobal polyester (my first use of poly thread!) in color #801 "Jester", and the bobbin thread is Superior's Sew Fine, a 50/3 polyester, in color #450 "Spring Green". Used a 90/14 topstitch needle on quilting cotton with 80/20 cotton/poly batting and had no tension adjustment issues at all.
I still need a lot more practice making smooth curves, and spacing lines evenly, but even all irregular as it is, the pattern has a certain spunk and movement that I find charming.
Everybody's a critic.
